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Bibliography of essays literature Bassoon Theses and term reports Dissertations. Last updated 9/4/95. References marked with an (+) have been added since 12/11/94 (last revision). Theses and on spanish literature dissertations are divided under these subject headings: Blough, Eric B. A Quantitative Comparison of Different Players, Reeds, and of Resource Fingerings on the Same Bassoon. B.A. thesis, University of South Carolina, 1988. On Spanish Literature! Pp. 200. OCLC#: 24492571. Burton, James Lee. Bassoon Bore Dimensions. D.M.A. document, University of Rochester, 1975.
Pp. xii + 254. OCLC#: 20958424. UMI 7526152. Carland, June Adelia. A Waveform Analysis of Bassoon Reed Profiles. D.M. document, Florida State University, 1987. Pp. ix + 137. OCLC#: 17463372. UMI 8723131.
Carr, Walter Edward. A Videofluorographic Investigation of Tongue and Throat Positions in Playing Flute, Oboe, Clarinet, Bassoon, and Saxophone. D.M.A. document, University of Southern California, 1978. Pp. xvi + 243. OCLC#: 5079801. + Gagnon, Noel James. An Investigation of the Lay Contour of Bassoon Reeds and Its Relation to Pitch, Tone Quality, and Response. Lectures And Essays! Master's thesis.
University of Minnesota (Duluth Branch), 1963. Hughston, James Edward. A Study of Problems and Errors in Bassoon Reed Construction and Adjustment. M.M. thesis, Northern Illinois University, 1965. Pp. 24. OCLC#: 15176937.
Jones, David A. A Physical Analysis of the Tone Quality of the Bassoon. M.M.E. thesis, University of Kansas, 1956. Pp. vii + 74. OCLC#: 15583253. Lacy, Edwin Vemont. A Survey and essays on spanish Acoustical Evaluation of Bassoon Fingerings, and an Annotated Fingering Chart.
D.M. document, Indiana University, 1979. Pp. Class For Me! xi + 157. OCLC#: 5262241. Lehman, Paul Robert. The Harmonic Structure of the essays on spanish literature Tone of the Bassoon. Ph.D. dissertation, University of Michigan, 1962. Term Reports! Pp. xvii + 194. OCLC#: 28591577. UMI 6300390. Also published as: Lehman, Paul Robert. Essays! The Harmonic Structure of the Tone of the Bassoon.
Seattle, WA: Berdon Inc., 1965. Pp. xvii + 194. OCLC#: 738584. + Patterson, John P. Bassoon Reed Variables: A Basis for Reed Selection. Master's thesis. University of Texas, 1954. Rachor, David John. Significance Of Resource! German Bassoon Tone Hole Dimensions. D.M. document, Indiana University, 1985. Pp. vi + 537.
OCLC#: 15153104. Smith, R. A. The Effect of Lip Pressure and Air Pressure on the Intonation and Tone Quality of the Bassoon. Ph.D. dissertation, University of Southampton, 1973. Trent, Sharon Sparling. The Effect of Increased Embouchure Pressure on the Intonation and Intonation Perception of essays Bassoonists.
Mus.D. document, Florida State University, 1991. Significance Of Resource! Pp. On Spanish! xiii + 139. OCLC#: 25206489. Verdi, Ralph Carl. A Study of business online Harmonics for Woodwind Instruments. Ph.D. dissertation, Catholic University of America, 1991. Essays On Spanish! Pp. xxviii + 571. OCLC#: 25196810. UMI 9123088.
Voigt, Wolfgang. Experimentelle Untersuchungen zur Klangfarbe des Fagottes und vergleichbarer histor. Instrumente Ph.D. dissertation, University of Cologne, 1974. Also published as: Voigt, Wolfgang. Untersuchungen zur Formantbildung in Klängen von Fagott und Dulzianen.
Kölner Beiträge zur Musikforschung, Bd 80. Regensburg: G. Bosse, 1975. And Essays! Pp. Literature! 249. OCLC#: 2348681. Widdowson, Kenneth West. Significance Development! Wood-wind Tone Color. M.M. thesis, Indiana University, 1955. Bartlett, Loren Wayne.
A Survey and Checklist of Representative Eighteenth-Century Concertos and Sonatas for Bassoon. Ph.D. dissertation, University of Iowa, 1961. Pp. Essays On Spanish Literature! xv + 231. Paper Reports! OCLC#: 21473304. UMI 6105544. Beebe, Jon Pritchard. An Annotated Bibliography of Music for Unaccompanied Solo Bassoon. D.M.A. document, University of Wisconsin, 1988. Pp. iv + 276. Essays Literature! OCLC#: 18661438. UMI 8809018.
Also published as: Beebe, Jon Pritchard. Music for Unaccompanied Solo Bassoon: An Annotated Bibliography. Jefferson, NC: McFarland Co., 1990. Pp. ix + 99. + Colman, Leo Russell. An Annotated Bibliography of Woodwind Study Materials Which Deal With Performance Problems Encountered in Contemporary Music. Ph. D. dissertation, University of Iowa, 1969. LC 704342; DA XXX, 10,4475-A. Fletcher, Kristine Klopfenstein. A Comprehensive Performance Project in Bassoon Literature with an Essay on the Paris Conservatoire and the Contest Solos for Bassoon.
D.M.A. Lectures! document, University of Iowa, 1986. UMI 8708046. Also published as: Fletcher, Kristine Klopfenstein. Literature! The Paris Conservatoire and the Contest Solos for Bassoon. Bloomington : Indiana University Press, 1988.
Pp. x + 142. Gillespie, James Ernest, Jr. The Reed Trio: An Annotated Bibliography of Original, Published Works. D.M. document, Indiana University, 1969. To Writing Proposal! Pp. 90. OCLC#: 30934246. Essays On Spanish Literature! Also published as: Gillespie, James Ernest, Jr. The Reed Trio: An Annotated Bibliography of Original Published Works.
Detroit Studies in Music Bibliography, no. 20. Detroit: Information Coordinators, 1971. Pp. 84. Gillette, John Carroll. An Annotated Bibliography of Works for Unaccompanied Bassoon. D.M. document, Indiana University, 1976. Pp. iv + 93.
OCLC#: 2848835. Hodges, Woodrow Joe. A Biographical Dictionary of Bassoonists Born Before 1825. Ph.D. dissertation, University of Iowa, 1980. Pp. iii + 694. Term! OCLC#: 29869662. UMI 8022036. On Spanish Literature! Klitz, Brian Kent. Solo Sonatas, Trio Sonatas, and Duos for Bassoon Before 1750. Ph.D. dissertation, University of North Carolina at Chapel Hill, 1961. Pp. iv + 151 + 66 music pages.
OCLC#: 2157855. UMI 6106125. Larson, André Pierre. A Catalog of the Double Reed Instruments in the Arne B. Larson Collection of Musical Instruments. M.A. thesis, University of South Dakota, 1968. Pp. 102.
OCLC#: 8600781. Limberg, Jo Ellen. For Me! A Comprehensive Performance Project in Oboe Literature with an Essay Consisting of an Annotated Bibliography and Categorical Index of Articles and Other Commentaries form To the World's Bassoonists (1969-1972) and the Periodicals of International Double Reed Society (1972-fall 1984). D.M.A. document, University of Iowa, 1986. Pp. vi + 319. Meilander, Margery A. A Discography of the Bassoon. M.L.S. thesis., Kent State University, 1972. Pp. 80. Merriman, Lyle Clinton. Solos for Unaccompanied Woodwind Instruments: A Checklist of Published Works and Study of essays on spanish literature Representative Examples.
Ph.D. dissertation, University of Iowa, 1963. Pp. xiv + 167. OCLC#: 11488995. Munsell, Donald Thomas. Free Writing Workshops Online! A Comprehensive Survey of Solo Bassoon Literature Published after ca. 1929 with Analyses of Representative Compositions. D.M.A. document, University of Iowa, 1969. Pp. x + 178. OCLC#: 2004452. UMI 6913170. + Nelson, Donald William. Bassoon Literature: A Key to Its Evaluation.
Master's thesis, Chicago Musical College of Roosevelt University, 1955. Oberlag, Herbert Henry. An Annotated Bibliography of essays on spanish literature Original, Published Quartets for Flute, Oboe, Clarinet, and Bassoon. Lectures! D.M. document, Indiana University, 1973. Pp. viii + 98. OCLC#: 30939063. Roll, Karen L. On Spanish Literature! An Annotated Bibliography of Flute, Clarinet, and Bassoon Trio Music. Free Business Writing! M.L.S. Essays On Spanish! thesis, State University of New York at Buffalo, 1983. Pp. ix + 101.
OCLC#: 12306024. Scott, Richard Dean. Take Class For Me! Contemporary Solo Literature for the Bassoon: An Analysis of Representative Compositions and a Survey of Compositions Suitable for essays the College Student. Ed.D. dissertation, University of Illinois at Urbana-Champaign, 1971. Pp. viii + 197. Term Reports! OCLC#: 2047162. UMI 7207053. Thomas, Orlan Earl. Music for Double-reed Ensembles from the Seventeenth and Eighteenth Centuries: Collection Philidor. D.M.A. Essays! document, University of Rochester, Eastman School of Music, 1973. Pp. x + 91 + 103 music.
OCLC#: 6296305. Badea, Emilian. The Life and Works of Eugene Jancourt (1815-1901), Including a Translation and Commentary of His 'Grande Methode Theoretique et Pratique,' Opus 15. Mus.A.D. document, Boston University, 1992. Pp. viii + 150. OCLC#: 29214817. UMI 9223292. Baker, Linda.
A History of the Physical Development of the Bassoon. M.A. Ucisa Itil! thesis, California State University, Sacramento, 1971. Pp. 112. OCLC#: 12876113. Becker, Heinz. Studien zur Entwicklungsgeschichte der Rohrblattinstrumente.
Ph.D. dissertation, University of Hamburg, 1961. Birsak, Kurt. Die Holzblasinstrumente im Salzburger Museum Carolino Augusteum: Verzeichnis und entwicklungsgeschichtliche Untersuchungen. Ph.D. dissertation, University of Salzburg, 1973. Pp. 211. Brooks, Anna. A Historical Development of the Bassoon. M.M. thesis, DePaul University, 1943.
Pp. On Spanish Literature! vii + 89. OCLC#: 16521712. Casson, D. The Development of Woodwind Instruments and Their Timbres. M.A. My College! thesis, Western Australia University, 1977. Davies, H. W. A History of the Development of Wind Instruments, and a Critical Account of Their Use in Ensembles. M.A. Literature! thesis, University of Cardiff, 1966. DeVos, Bradford R. The History and Development of the to writing a research proposal Bassoon Reed and literature Embouchure. M.S. A Research! thesis, Boston University, 1963. Pp.
92. OCLC#: 7767725. + Fossner, Alvin Koenig. Significant Changes and Improvements in Certain Woodwind Instruments Since 1860. Essays Literature! Ed.D. dissertation, Columbia University, 1969. LC 70-26, 778; DA XXXI, 7,3580-A. Gibbs, Glendon B. Jr. The Bassoon, An Extremely Underestimated Woodwind: A Historical and Comparative Study of the Mechanism of the Bassoon. M.S. thesis, Texas AI University, 1970.
Pp. 114. OCLC#: 17463291. Groman, Mary Alyce. The Mannheim Orchestra Under the Leadership of Christian Cannabich. Ph.D. dissertation, University of California, Berkeley, 1979. Pp. Ucisa Itil! xxxiv + 308. OCLC#: 21651291. Harbough, Albert Harrison. The Double Reed Instruments: A Short History of the Oboe, Bassoon and Related Instruments, with a Critical Evaluation of their Solo Literature.
Ph.D. dissertation, University of Southern California, 1952. Pp. 82. Hynd, Sandra L. The Bassoon: Its History, Its Artists, and Its Music. A Report of an Independent Study for the Department of essays on spanish Fine Arts. B.A. thesis, Maryville College, 1968. Pp.
35. OCLC#: 30663573. Jenkins, David. French Woodwind Instruments 1690-1750: Their Makers, Theoreticians, and Music. Ph.D. Reports! dissertation, University of Edinburgh, 1973. Johnston, Karen Elizabeth. The Bassoon: Its History and Acoustics. M.M. thesis, University of Houston, 1969. Pp. vi + 71. OCLC#: 1409374.
Koch, Hans Oskar. Sonderformen der Blasinstrumente in der deutschen Musik vom spaten 17. bis zur Mitte des 18. Jahrhunderts. Ph.D. dissertation, Ruprecht-Karl-Universitat zu Heidelberg, 1980. Pp. v + 253. OCLC#: 9532097.
Koch, Hans Oskar. Die Spezialtypen der Blasinstrumente in der 1. Hälfte des 18. Jahrhunderts im deutschen Sprachraum. Staatsexamensarbeit dissertation, Hochschule für Musik und Theater, 1969. Lewin, Gregory P. The Curtal: A Survey of the History and Repertoire of the Early Bassoon. M.A. thesis, University of Bristol, 1988. Lewis, Edgar Jay, Jr. The Use of essays on spanish literature Wind Instruments in Seventeenth-Century Instrumental Music. Ph.D. dissertation, University of Wisconsin, 1964. Pp. vii + 526.
OCLC#: 26692670. Murray, Deborah. The Development of the Bassoon Through the Renaissance and Baroque Periods. Writing Workshops! B.A. thesis, Coe College, 1976. Essays Literature! Pp. 156. OCLC#: 21833779. Peeples, Georgia Kay. The Bassoon in America, 1800-1840, as Depicted in Contemporary Pedagogic Sources.
D.M.A. document, University of free business workshops Maryland, College Park, 1981. Pp. iii + 80. OCLC#: 8711109. UMI 8214397. Reimann, Albert. Studien zur Geschichte des Fagotts: 1. Das Phagotum des Afranius Albonesii und zwei fagotti in Verona. 2. Geschichte der Namen für das Fagott. Ph.D. dissertation, University of Freiburg, 1957.
Pp. 237. Roberts, Alyson E. Essays Literature! Studien zur Bauweise und zur Spieltechnik des Dulzian. Ph.D. dissertation, University of Cologne, 1986. Pp. v + 248. Sirker, Udo. Die Entwicklung des Bläserquintetts in der ersten Hälfte des 19. Jahrhunderts.
Kölner Beiträge zur Musikforschung, Bd. 50. Regensburg: G. Bosse, 1968. Ph.D. dissertation, University of Cologne. Pp. 171. OCLC#: 1199772. Tremmel, Erich. Blasinstrumentenbau im 19. Jahrhundert in Südbayern. Collectanea Musicologica; Bd.
3. Augsburg: Wissner, 1993. Ph.D. dissertation, University of Augsburg, 1991. Pp. 507. OCLC#: 30008746. Voorhees, Jerry Lee. The Development of Woodwind Fingering Systems: A Lecture Recital, Together with Three Recitals of Selected Solo and Ensemble Works for Bassoon.
D.M.A. document, University of North Texas, 1971. Pp. Class! ix + 37. Essays! OCLC#: 6678179. UMI 7204110. Term Paper Reports! Walker, Mack A. The History and essays on spanish Literature of the Bassoon. M.A. thesis, Ball State University, 1958. Pp. 94. White, Paul J. The Influence of Fingering Patterns and study Reeds on the History and Evolution of the on spanish Bassoon (1650-1840). D.Phil. Itil! dissertation, University of Oxford, Hertford College, 1992. Essays On Spanish Literature! Apfelstadt, Marc Gilbert.
Canadian Bassoon Repertoire: History, Traits, and Characteristics, with Analysis of Representative Works. D.M.A. document, University of Wisconsin - Madison, 1986. Pp. ix + 144. OCLC#: 21122849. UMI 8701833. Bean, Calvert Jr. Information Theory Applied to the Analysis of a Particular Formal Process in Tonal Music. 'Concerto Grosso for Flute, Oboe, Clarinet, and Bassoon, and Small Orchestra'. D.M.A. document, University of Illinois at Urbana-Champaign, 1961. Pp. v + 153.
OCLC#: 22223817. UMI 6104254. Brock, D. The Instrumental Music of take my college J. N. Hummel. Ph.D. dissertation, University of Sheffield, 1976. Carinci, Eugene Joseph. C.P.E. Bach's Sechs Kleine Sonaten, Wq. 92: A Historical and Analytical Essay. On Spanish Literature! D.M.A. document, University of Illinois, 1982.
Pp. 95. OCLC#: 14764360. Carpenter, Tina Marie. The Bassoon Music of class Allan Blank (1925- ): A General Style Analysis and an Examination of Expressive Properties in Three Representative Works. Mus.D. document, Florida State University, 1992. Pp. x + 149.
OCLC#: 26088276. Copland, Alison A. The Solo Concerto in Austria from 1740 to 1810. Ph.D. dissertation, University of Aberdeen, 1971. Pp. 4 vols. OCLC#: 22192185. Discusses Georg Christoph Wagenseil's Concerto for Bassoon. Craig, Douglas Brewster. Interpretation and Analysis of Three Works for the Bassoon.
M.S. thesis, University of Utah, 1958. Pp. 34. OCLC#: 28726804. Duncan, Richard Lawrence. A Comparative Analysis of Mozart's Concertos for Wind Instruments. On Spanish Literature! M.A. thesis, Indiana University, 1972.
Griswold, Harold Eugene. Take My College Class For Me! EACUTE;tienne Ozi (1754-1813): Bassoonist, Teacher, and Composer. D.M.A. document, Peabody Conservatory of Music, 1979. Pp. xiii + 643. OCLC#: 21430709. Groupe, Lawrence Nash. On Spanish! Three Seperate [i.e. Separate] Analysis [i.e.
Analyses] on Selected Compositions by Igor Stravinsky. M.A. thesis, University of California, San Diego, 1981. Pp. 4 vols.. OCLC#: 8277796. Term Paper! Halgedahl, Edward Howard. The Bassoon in the Symphonies of Mozart. M.M. thesis, University of Rochester, 1946. Pp. vi + 109. OCLC#: 27268813.
Hanna, Steven Russell. Analysis and Performance of essays literature Music for Unaccompanied Bassoon by Malcolm Arnold, Gordon Jacob, Willson Osborne, George Perle, and Vincent Persichetti. D.M.A. document, University of Rochester, Eastman School of take Music, 1993. Pp. ix + 217. OCLC#: 30800678. UMI 9322399. Irvin, Wade J. An Analysis and Comparison of Two Contrasting Bassoon Concertos by essays literature Johann Nepomuk Hummel and Gordon Jacob. D.M.A. document, University of Alabama, 1990. Pp. vii + 36. OCLC#: 22682724. UMI 9105960.
Kawaza, Elisabeth. Drei Bläsersonaten Paul Hindemiths. Eine analtische Untersuchung. M.A. thesis, Hochschule für Musik Graz, 1983. Lapina, Theodore J. Lecture Recital: Multitone Analysis and Performance of Six Movements for Bassoon and Significance Mallet Percussion by Donald Black. D.M.A. document, Catholic University of America, 1973. Lee, Sun Whi. Mozart's Treatment of Wind Instruments.
M.M. thesis, Manhattan School of Music, 1966. Lewis, William D. On Spanish Literature! A Survey of the Stylistic Development of the Bassoon Concerto. M.M. thesis, Ball State University, 1980. Pp. i + 23. My College! OCLC#: 9414942. Lindberg, John Edward. The Bassoon Concertos of Christoph Graupner. M.A. thesis, University of Missouri--Columbia, 1979. Pp. vi + 107. OCLC#: 6065088.
Longazo, George. The Bassoon: Its Use in Selected Works of Shostakovich, Stravinsky, and Schoenberg. D.M.A. dissertation, University of on spanish literature Southern California, 1969. Pp. v + 272. OCLC#: 29382508. UMI 6919385. Mendenhall, James Warren. Two Eighteenth Century Concertos with Bassoon. M.A. thesis, University of Missouri --Columbia, 1972.
OCLC#: 9226424. Mettler, Larry Charles. An Analysis of the Bassoon and its Literature. M.S. thesis, Eastern Illinois University, 1960. Pp. ii + 56. OCLC#: 17892320. Mori, Paul Alan. Vivaldi's Bassoon Concerto Variants: a Schenkerian Approach. D.M.A. document, Peabody Institute of the Johns Hopkins University, 1993. UMI 9327536.
Mullins, Patricia Barrios. The Use of the Bassoon in Selected Early Works by Igor Stravinsky. M.M. thesis, Northeast Lousiana State College, 1969. Pp. 78. OCLC#: 13830657. Nimetz, Daniel.
The Wind Music of Carlo Besozzi. Ph.D. dissertation, University of Rochester, 1967. Pp. ix + 140. OCLC#: 21391511. Olson, Robert Henry.
I. Difficult and Solo Passages for the Bassoon from an Established Core Repertoire for Wind Ensemble. II. Program Notes for a Recital. III. Program Notes for a Recital. D.M.A. document, University of Washington, 1979. Pp. iii + 280. OCLC#: 6114833. UMI 8013576.
Reiger, Mary E. My College Class For Me! A Comparative Analysis of Carl Maria von Weber's Two Solo Bassoon Works. M.M. thesis, Ball State University, 1981. Pp. ii + 33. OCLC#: 9486053. Robinson, Dennis. A Study of Bassoon Literature Performed on a Master's Recital. M.A. thesis, San Jose State College, 1971. Essays Literature! Pp. v + 49.
OCLC#: 13798691. Rowan, Denise Cecile Rogers. The Contributions for Bassoon with Piano Accompaniment and Orchestral Accompaniment of Eugene Bozza with Analyses of Representative Solo Compositions. D.M.A. document, University of Southern Mississippi, 1978. Pp. iv + 155. OCLC#: 4754943. UMI 7818982. Seidler, Richard David. Lectures! The Bassoon Concertos of Antonio Vivaldi. Ph.D. dissertation, Catholic University of America, 1973.
Pp. viii + 779. Essays On Spanish! OCLC#: 5231415. UMI 7413169. Shami, Fawzi Mohammed, El-. Studien zum Fagottkonzert in der ersten Hälfe des 18. Jahrhunderts. Ph.D. dissertation, University of Marburg, 1988. Lectures And Essays! Pp. 240. OCLC#: 2458502. Singer, Robert Edgar.
An Evening of Bassoon, and Other Things: A Project and a Paper. M.A. thesis, California State University, Chico, 1972. Essays! Pp. iv + 17. OCLC#: 6757434. Steele, Corinne S. J. Significance Of Resource! F. Fasch's Sonata in C-major for Bassoon. M.M. thesis, Bowling Green State University, 1975. Essays! Pp. iv + 31. OCLC#: 1931146. Steinke, Greg A. Music for Bassoon and Orchestra. M.M. thesis, Michigan State University, 1967.
Pp. 33. OCLC#: 25362583. Sweger, Keith Warren. The Bassoon Concertos of Johann Christian Bach (1735-1782): A Historical, Stylistic, and Performance Analysis. D.M.A. document, University of Wisconsin - Madison, 1990.
Pp. xiv + 213. OCLC#: 23360850. UMI 9108300. Toeplitz, Uri. Die Holzbläser in der Musik Mozarts und ihr Verhältnis zur Tonartwahl. Sammlung musikwissenschaftlicher Abhandlungen. Baden-Baden: Koerner, 1978.
Ph.D. dissertation. Pp. 233. OCLC#: 5074528. Significance! White, Joseph Addison. The Concerted Symphonies of John Christian Bach. Ph.D. dissertation, University of Michigan, 1957. Literature! Pp. 242. OCLC#: 18540952. White, Kathleen A. Selected Solo Bassoon Passages in Development, Early Orchestral Works of Igor Stravinsky.
D.M.A. document, Temple University, 1989. Pp. v + 72. OCLC#: 20976118. UMI 9007393. Witte, Martin. Die Instrumentalkonzerte von Johann Christoph Graupner (1638-1780). Ph.D. dissertation, University of Göttingen, 1964.
Pp. 298. Yost, Hilary Winterer. Essays On Spanish! Gordon Jacob: A Biographical Profile with a Review and Analysis of Selected Works for the Bassoon. M.M. thesis, Bowling Green State University, 1990. Pp. Steps Proposal! 78. OCLC#: 25920918.
Allison, Ruth. Analysis of a Poulenc Trio (for Bassoon , Oboe, and Piano). M.M. thesis, University of Rochester, 1947. Pp. v + 56. OCLC#: 21439877. Doherty, Charles Robert. Essays! Twentieth Century Woodwind Quintet Music of the United States. D.M.A. And Essays! document, University of Missouri, Kansas City, 1977. Pp. ix + 140. OCLC#: 2971527.
Farrar, David. Quartets and Quintets for Woodwind and on spanish literature String Instruments by Franz Danzi. M.M. thesis, University of California, Santa Barbara, 1968. Fletcher, Richard Wesley. A Comprehensive Performance Project in Clarinet Literature With an Essay in Music for Bassoon and and essays Small String Ensemble, circa 1700-1825. D.M.A. document, University of Iowa, 1974. Pp. xvii + 230. OCLC#: 26691288.
UMI 7421958. Gerheart, Donald. The Use of the Bassoon in Selected Symphonies and Chamber Music by Mozart. M.A. thesis, University of Wyoming, 1969. Pp. iii + 104. OCLC#: 10186461. Hausfeld, Gretchen Gayle. The Treatment of the literature Bassoon in Three Chamber Works of Igor Stravinsky. A.Mus.D. Term! document, University of Arizona, 1993.
UMI 9328569. Hedlund, Harry Jean. A Study of Certain Representative Compositions for Woodwind Ensembles, ca. 1695-1815. Ph.D. dissertation, University of Iowa, 1959. Pp. vii + 215. OCLC#: 9072227.
Herreid, Walt. Six Bassoon Quartets by Franz Anton Pfeiffer (1754-87). M.A. thesis, University of Connecticut, 1987. Pp. ix + 215. OCLC#: 19612748. Hoff, Helen Arlene. The Bassoon in Eight Quartets for Bassoon, Violin, Viola, and Cello Written ca. 1800. D.M.A. document, University of Oregon, 1976. Pp. xi + 199. OCLC#: 13681258.
UMI 7713192. Jacobs, Richard Morris. The Chamber Ensembles of Carl Philipp Emanuel Bach, Using Two or More Wind Instruments. Ph.D. dissertation, University of Iowa, 1964. Pp. 311. OCLC#: 1074696. Jones, William LaRue. Three Wind Divertimenti (Partitas) by on spanish Franz Asplmayr in Significance of Resource, Vienna, circa 1760. Ph.D. diss, University of essays Wisconsin, 1972.
Pp. iv + 95. OCLC#: 9063705. Laing, Millard Myron. Mozart's Contribution to Woodwind Chamber Music. M.M. thesis, University of Rochester, 1941. Pp. iii + 208. Reports! OCLC#: 24782714. Laing, Millard Myron. Anton Reicha's Quintets for Flute, Oboe, Clarinet, Horn and Bassoon. Ed.D. dissertation, University of Michigan, 1952.
Pp. 622. OCLC#: 21172123. UMI 0003697. Morelli, Frank A., Jr. Francois Devienne, 1759-1803: Three Quartets Op.
73 for Bassoon, Violin, Viola, and Cello: Historical Background, Scores, and Parts with Suggestions Regarding Interpretation. D.M.A. document, Juilliard School, 1980. Nordby, Paul. Essays On Spanish Literature! A Survey of Chamber Music for Bassoon and Strings. M.M. thesis, Ball State University, 1974. Pp. i + 26. Ochran-Holt, Priscilla Lenora. Take My College Class! Selected Woodwind Chamber Music: 1900 to 1920.
Ph.D. dissertation, University of Miami, 1988. Pp. vii + 353. OCLC#: 30337337. UMI 8820792. Ohlsson, Eric Paul. The Quintets for Piano, Oboe, Clarinet, Horn and Bassoon by Wolfgang Amadeus Mozart and Ludwig van Beethoven. D.M.A. document, Ohio State University, 1980. Pp. vii + 123. OCLC#: 7988121. UMI 8100098. Phipps, Danny Keith.
The Music for Bassoon and Strings of Francois Rene Gebauer. D.M.A. document, Catholic University of America, 1987. Pierce, David Michael. The Bassoon in the Woodwind Quintet: Performance and Technical Demands and Their Solutions. D.M.A. document, University of on spanish literature Illinois at Urbana-Champaign, 1986. Pp. iv + 340. OCLC#: 16196942. UMI 8701591. Poulin, Pamela Lee. A Research Proposal! Three Stylistic Traits in Poulenc's Chamber Works for Wind Instruments. Ph.D. dissertation, University of Rochester, Eastman School of Music, 1983.
Pp. xvii + 260. OCLC#: 17605735. UMI 8315558. Schietroma, Kathleen. Charles Martin Loeffler's Ballade Carnavalesque for Flute, Oboe, Saxophone, Bassoon and Piano. D.M.A. document, Temple University, 1990. Pp. vii + 170. OCLC#: 22281066. Essays Literature! Stoltie, James Merle.
A Symphonie Concertante Type: The Concerto for Mixed Woodwind Ensemble in the Classical Period, Illustrated with a Score of Francois Devienne's 'Deuxième Symphonie Concertante pour Haut-bois ou Clarinette et Basson Principal'. Steps Proposal! Ph.D. Essays Literature! dissertation, University of Iowa, 1962. Pp. 384. OCLC#: 17213018. Stringer, Mary Ann. Free Business Online! Diversity as Style in Poulenc's Chamber Works with Piano.
D.M.A. document, University of Oklahoma, 1986. Pp. xii + 212. OCLC#: 19859100. UMI 8604590. Literature! Teuber, Fred William. Ucisa! Music for Wind and Percussion Instruments. Ph.D. dissertation, University of Iowa, 1963. On Spanish Literature! Adams, George Calvin. Realizing a Performing Edition of Vivaldi's Bassoon Concertos With Piano Accompaniment.
D.M.A. document, University of Texas at Austin, 1984. Pp. Ucisa Itil Case! viii + 83. OCLC#: 21431880. UMI 8513175. Andrews, Ralph E. The Woodwind Quartets of Martin Joseph Mengle: Six Quartets in Score. Ph.D. dissertation, Florida State University, 1970. Essays On Spanish Literature! Pp. v + 305. OCLC#: 2868429. Bedwell, Mary Ann.
A Transcription for Bassoon and Piano of Karl Stamitz's Concerto in C for Violoncello and Orchestra. M.A. Proposal! thesis, Central Missouri State College, 1963. Pp. ii + 59. OCLC#: 26046202. Cano, Gines-Didier. Johann Sebastian Bach Concerti in essays on spanish literature, E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. D.M.A. document, Manhattan School of Music, 1990. OCLC#: 22959342. DaGrade, Marvin Donald. A Translation and Study of the Bassoon Section of Joseph Frölich's Vollständige Theoretisch-Praktische Musiklehre (1810-11) and a Performance Edition of for me His Serenade for Flute, Clarinet, Viola, Bassoon or Cello.
D.M. document, Indiana University, 1970. Pp. viii + 103. OCLC#: 16574930. Danziger, Robert. Performance Editions for Bassoon of Selected Recorder Works of Georg Phillip Telemann. Ph.D. Literature! dissertation, New York University, 1977. Pp. v + 167. OCLC#: 14086873.
UMI 7911231. McCormick, Cathy Louise. Mathieu-Frederic Blasius (1758-1829): A Biographical Sketch, Catalog of Works, and Critical Performance Edition of the 'Quatour Concertant' in F, Op. Term! 1, No. 1. Ph.D. Essays! dissertation, Michigan State University, 1983. Pp. xvii + 138.
OCLC#: 11093238. UMI 8400600. Rhodes, David. The Life and Works of Franz Anton Pfeiffer (1752-1787) with an and essays, Edition of His Music. Ph.D. dissertation, Queen's University, Belfast, 1983. Pp. 3 vols.. OCLC#: 28032409. Ross, George Joseph. An Annotated Historical Anthology of Thirty-five Graded Duets for Two Bassoons Including Eight Original Duets in Historical Jazz Idioms. D.M.A. document, University of Rochester, 1975.
Pp. Essays On Spanish! ii + 295. OCLC#: 27064547. Schink, William Paul. Four Sonatas for Bassoon and Piano by Lewis Mercy: Edition and Commentary. D.A. document, University of Northern Colorado, 1981. Pp. v + 118. OCLC#: 29486526. UMI 8206184. Tyree, Ronald Wayne. An Edition for Study and Performance of the 'Grand Concerto for Bassoon and Orchestra' by J. N. Hummel (1778-18370 and paper reports Four Sonatas for Bassoon and Keyboard, Opus 26 by J. B. Boismortier (1691-1765?).
Ph.D. dissertation, University of Iowa, 1957. Pp. 197. OCLC#: 15250539. UMI 0023792. On Spanish! Urbinato, Joseph Mario. A Critical Edition and Analysis of Nine Sonatas for Bassoon and Continuo by Giovanni Antonio Bertoli. Mus.A.D. document, Boston University, 1969. Pp. x + 397. OCLC#: 21202680. UMI 7130020.
Ward, Lois Janette. A Bassoon Performance Edition of Three Suites for Violincello [sic] Solo (BWV 1007-1009) by Johann Sebastian Bach. M.A. thesis, Central Missouri State University, 1979. Pp. iv + 75. OCLC#: 28493125. Beckwith, James Murray. Bassoon Handbook for the Instrumental Supervisor. M.M. thesis, University of Rochester, 1950. Pp. Free Business Workshops Online! iv + 118. OCLC#: 21475416.
Bigham, William Marvin. A Comparison of Two Response Modes in Learning Woodwind Fingerings by Programmed Text. Ph.D. dissertation, Florida State University, 1965. Pp. v + 115. OCLC#: 4866978. Bivens, John A. Literature! A Tenor-clef Reader for the Bassoonist. D.M.A. document, Louisiana State University and Agricultural and Mechanical College, 1980. Pp. iv + 86 (music). OCLC#: 14191367.
Borst, David Thomas. An Integrated Approach to the Master Bassoon Class. D.M.A. Steps A Research Proposal! document, University of essays on spanish Rochester, 1975. Pp. xv + 232. OCLC#: 20917617. UMI 7603691.
Colwell, Richard J. Analysis of the Teaching Content Found in Ensemble Music Written for the Classical Woodwind Quintet. M.A. thesis, University of South Dakota, 1953. Pp. 396. OCLC#: 9192702. Dalby, Max Foreman.
Psychology and Method in Teaching Woodwind Instruments. Ed.D. dissertation, Utah State University, 1961. Pp. iv + 195. OCLC#: 3000662. Dietz, William David. The Teaching Methods of Sol Schoenbach. D.M. document, Florida State University, 1988. Pp. iii + 89.
OCLC#: 18818587. Dominik, William Carl. The Training, Experience, and Present Position of the Woodwind Instructor in Higher Education. D.M.A. document, University of Southern California, 1964. Pp. ix + 165. OCLC#: 22151981. Gainacopulos, Gretchen Schaeffer. A Self-Instructional Method Book for Students Transferring to the Bassoon. D.M.A. document, University of Wisconsin - Madison, 1988.
Pp. v + 117. OCLC#: 19524594. Take For Me! UMI 8820046. Gillfillan, Karen L. Method Book for Bassoon Techniques Class. M.M. thesis, Bowling Green State University, 1982. Pp. vi + 110. OCLC#: 9494645. Hammel, Bruce. A Compendium of Practice Methods and Their Application to the Bassoon.
D.M. document, Florida State University, 1989. Pp. iii + 118. OCLC#: 20797618. Horner, Don Arlen. The Teaching of the Bassoon from c. 1700 to c. 1825: A Survey of Selected Pedagogical Material. D.M.A. document, University of Oregon, 1980. On Spanish Literature! Pp. ix + 191. OCLC#: 15145008. UMI 8025861. Houser, Steven Dale.
A Comparative Study of Selected Approaches to Teaching Tenor Clef in Bassoon Instruction. M.A. thesis, Ohio State University, 1975. Pp. 124. OCLC#: 2161781. Hunt, Laura June. An Analysis of Basic Instructional Elements for Bassoon Found in Full Band Beginning Method Books Published Since 1975. M.M. thesis, James Madison University, 1986. Pp. xiii + 119. OCLC#: 22548045. Jackson, Debra Anne.
An Evaluation of Tenor Clef Material in lectures, Twelve Existing Bassoon Methods and a Systematic Approach to Learning Tenor Clef for the Bassoonist. M.A. thesis, Central Missouri State University, 1983. Pp. iv + 51. Essays Literature! OCLC#: 10236528. Jones, John Paul. A Survey, Critical Analysis, and Evaluation of a Selected Group of Private Bassoon Methods Now In Publication. M.M.Ed. thesis, Mississippi Southern College, 1954.
Pp. vii + 58. OCLC#: 30444069. Lowder, Larry D. A Comparative Study of Wood and Plastic Bassoons and Their Suitability for Use in Public School Instrumental Music Programs. M.S. thesis, University of Utah, 1969. Pp. Ucisa! xi + 66. OCLC#: 9071232. Lutz, Harold B. The Bassoon: a Background and Analysis of its Problems for the Instrumental Instructor. M.M.E. thesis, Wichita State University, 1955. Pp. 81. OCLC#: 16141891.
Malewski, Frank William. Double Reed Techniques. M.A. thesis, University of essays on spanish Iowa, 1951. Pp. 77. OCLC#: 30875000. Free Business Workshops Online! Mangrum, Martin. A Method for Playing the essays on spanish literature Bassoon: Based on the Teachings of Stephen Maxym. D.M.A. dissertation, Juilliard School, 1990. Pp. Case! iv + 73.
OCLC#: 23958888. Means, Paul B. A Beginning Method for Bassoon. M.A. thesis, Eastern Washington State College, 1971. Pp. iv + 52. OCLC#: 8572575. Palmer, Hugh E. Some Problems and Procedures in Teaching the Bassoon in the Secondary Schools. M.A. thesis, Western State College of Colorado, 1937. Pp. 67. Essays Literature! OCLC#: 7603509. Pesavento, Ann M. Orchestral Excerpts as Developmental Studies for the Intermediate Bassoonist: A Collection of Selected Passages.
D.A. diss, University of Northern Colorado, 1989. Pp. 360. OCLC#: 21892445. UMI 9016608. Phipps, Danny Keith. A Translation and Study of the Nouvelle Methode de Basson by Etienne Ozi. M.A. thesis, Catholic University of America, 1979. Pp. vii + 335. OCLC#: 5806330.
Robinson, Carol Ewing. A Study of Two Early Bassoon Methods: Methode pour le bassoon [and] Fagottschule. M.A. Ucisa Case Study! thesis, San Jose State College, 1970. Pp. 2 vols.. OCLC#: 13798556.
Spencer, William Gilbert. The Teaching of the Bassoon in the High School and essays literature College. Ed.D. dissertation, Columbia University, 1958. Sperry, Robert Leslie. An Educator's Guide to the Bassoon.
M.A. thesis, California State University, Fullerton, 1979. Pp. Free Workshops Online! iv + 65. OCLC#: 16656241. UMI 1313559. Stallsmith, Jerry R. A Self-Study Method for Junior and essays on spanish Senior High School Musicians Transferring from a Beginning Wind Instrument to the Bassoon. M.M. thesis, Bowling Green State University, 1992. Pp. 123.
OCLC#: 27707001. Swettman, William. Filmstrip Teaching Material for Violin, Violoncello, Percussion and Bassoon. Ph.D. Business Workshops! dissertation, Columbia University, 1952. Atsalis, Theodore Nicholas. The Eighteenth-Century Bassoon: Performance Feasibility of W. A. On Spanish Literature! Mozart's Wind Sextets. D.M.A. document, University of Cincinnati, 1973.
Pp. iv + 87. OCLC#: 18302515. Bartlett, Lindsey M. A Study of the Classical Woodwind Cadenza and Methodology for the Composition of Cadenzas for the Mozart Bassoon Concerto in B Flat Major K191 (186e). M.M. thesis, Ball State University, 1991. Pp. 31. OCLC#: 24171859. Borgir, Tharald.
The Performance of the Basso Continuo in Seventeenth-Century Italian Music. Ph.D. dissertation, University of California, Berkeley, 1971. Pp. iii + 262. OCLC#: 16623983. Revised and published as: Borgir, Tharald. The Performance of the Basso Continuo in Italian Baroque Music. Studies in Musicology, no. 90.
Ann Arbor, MI: UMI Research Press, 1987. Pp. vi + 180. OCLC#: 14519540. + Csomay, Richard L. Contemporary Woodwind Materials: A Manual Designed to Aid the Woodwind Player in the Performance of New Music. D. Mus. dissertation, Philadelphia Conservatory of Music, 1965. + Douglas, William Leslie. Possibilities of the Bassoon in New Music. Master's thesis, Yale University, 1968. (A recorded tape is included with this work.) Dreyfus, Laurence Dana. Basso Continuo Practice in the Vocal Works of J. S. Bach: A Study of the Original Performance Parts.
Ph.D. dissertation, Columbia University, 1980. Writing Workshops Online! Pp. xii + 341. OCLC#: 17708272. Essays! UMI 8222375. Also published as: Dreyfus, Laurence. Bach's Continuo Group: Players and Practices in His Vocal Works. Cambridge, MA: Harvard University Press, 1987. Pp. xii + 264. Term! OCLC#: 1433050. Edgerton, Sara Ann.
The Bass Part in Haydn's Early Symphonies: A Documentary and Analytical Study. D.M.A. Essays On Spanish Literature! document, Cornell University, 1989. Steps To Writing! Pp. xiii + 257. OCLC#: 30746247. UMI 8924605. Kelley, Cheryl K. Twentieth Century Bassoon Techniques. M.M. thesis, University of Nebraska--Lincoln, 1978. Pp. ii + 86.
OCLC#: 4543742. Koper, Robert Peter. A Stylistic and Performance Analysis of the essays on spanish literature Bassoon Music of Paul Hindemith. Ed.D. dissertation, University of Illinois at Urbana-Champaign, 1972. Pp. Lectures And Essays! iv + 360. OCLC#: 4656382. UMI 7219863. Lipp, Charles Herbert. New Compositional Techniques for the Bassoon. D.M.A. dissertation, University of essays Illinois at Urbana-Champaign, 1982. Pp. Lectures! vi + 103.
OCLC#: 8838076. UMI 8218511. Magomedov, Abdul. Problems of Theory and Practice in the Soviet School of Bassoon Playing. Voprosy teorii i praktiki sovetskoj fagotnoj skoly. M.A. thesis, Leningradskij Gosudarstvennij Inst. teatra, muzyki, i kinematografija, 1980.
Pence, Homer Charles. Essays On Spanish Literature! Ornamentation of the Six Sonatas for itil case Bassoon and Harpsichord by Johann Ernest Galliard. M.A. On Spanish! thesis, Ball State University, 1959. Pp. ii + 39. OCLC#: 27969950. Petrulis, Stanley Duris.
A Stylistic and Performance Analysis of Three Contemporary Compositions for the Bassoon Which Use New Performance Techniques. D.M. document, Indiana University, 1977. Pp. iv + 133. OCLC#: 3309338. Schmid, Eva. Artikulationsanweisungen in kontinentaslen Bläserschulen von 1535 bis 1830. Ph.D. dissertation, University of Vienna, 1988. Shaw, James Everett. Free Workshops Online! Performance Practice Directions in the Bassoon Methods of Etienne Ozi.
M.A. thesis, University of Nevada, Reno, 1976. Pp. iv + 104. OCLC#: 29242653. UMI 1309160. Warner, Thomas Everett. Essays Literature! Indications of Performance Practice in Woodwind Instruction Books of the Seventeenth and Eighteenth Centuries. Ph.D. dissertation, New York University, 1964.
Willoughby, Susan Caroline. Vivaldi's Bassoon Concertos: A Study Including Ornamentation. Term Paper! D.M.A. document, Stanford University, 1982. Pp. v + 179. OCLC#: 17446667. UMI 8220574. Baird, Frederick.
Nine Haiku, for Soprano, Viola and Bassoon. B.M. thesis, Indiana University, 1971. Pp. 12. OCLC#: 20441054. Score. Davis, William D. Steppes Concerto: for Bassoon and Orchestra. D.M.A. document, University of essays on spanish Rochester, 1980. Pp.
67. OCLC#: 8542464. Score. Gould, Charles Arnold. Rondo, Bassoon and Chamber Orchestra. M.A. thesis, University of Significance Development California, Los Angeles, 1973. Score. Hall, Ellen Christine. Supplementaries: Original Duets After the J. Weissenborn Practical Method for the Bassoon. B.M. thesis, University of Southern Mississippi, 1987.
Pp. 38. OCLC#: 19756184. Score. Hardisty, Donald Mertz. A Collection of Transcribed and Original Rounds Arranged for Bassoon Ensembles. Ph.D. On Spanish! dissertation, University of Rochester, 1969.
Pp. xv + 333. OCLC#: 21287887. Score. Howard, Charles P. Symphonic Piece for Clarinet, Bassoon and Orchestra. Ph.D. diss, University of Iowa, 1951. Score. Jacobsen, Erik. A Voice of Significance of Resource My Own for Solo Bassoon and String Orchestra. B.A. thesis, Williams College, 1993.
Pp. 20. Literature! OCLC#: 28166482. Score. Longazo, George . Concerto for Bassoon and Small Orchestra. M.M. thesis, Indiana University, 1954. Paper! Pp. 60. OCLC#: 31098315. Score. Mason, Thom.
A Double Concerto for Flute and Bassoon with String Orchestra and Harp. M.M. thesis, DePaul University, 1966. Pp. 55. OCLC#: 16619781. Score. Moehlenkamp, Jack Gilbert. Trio no. 1 for Piano, Clarinet and Bassoon. D.M.A. document, University of essays Rochester, 1963. Pp.
43. OCLC#: 19897584. Score. Lectures And Essays! Slonaker, David. Suite for Flute and Bassoon. Essays! B.M. thesis, Indiana University, 1974. Pp. 14. OCLC#: 19528866. Score. Stout, Kemble. Concerto for Bassoon and Orchestra.
Ph.D. Steps! dissertation, University of Rochester, 1951. Pp. Essays On Spanish Literature! 106. OCLC#: 19946380. Score. Eric J. Petersen / firstname.lastname@example.org / SLIS. Copyright Yoshiyuki Ishikawa and the International Double Reed Society 1995-2017.
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a little child essay Marah Gubar, University of Pittsburgh. Used by permission of the Corporation of London, London Metropolitan Archives. Introduction A Nation of literature, Children Calls for Reform Baby Steps The Innocent Ideal Consuming Childhood The Cult of the lectures, Child Strange Inconsistencies Recommended reading. Essays On Spanish? Used by permission of the World Publishing Company. Used by permission of Corbis Images for Education. In 1799, children’s author and class educator Hannah More reacted against literature the revolutions that had recently taken place in America and France in term reports terms that tell us a great deal about the child’s place in essays British society at that time. Denouncing Thomas Paine’s radical insistence that all men are created equal, More argued that recognizing the study, “rights of man” was an absurd idea. Next, she scoffed, reformers would begin to discuss the rights of women, and then (even more ridiculously) “our enlighteners  will illuminate the world with grave descants on the rights of youth, the rights of children, the rights of babies” (Walvin 45). The idea that children have rights that the literature, state should protect may have seemed silly at dawn of the nineteenth century, but by the time Queen Victoria died in 1901, it had gained significant support. Beginning in the 1830s, the Victorians passed a variety of term paper reports, laws aimed at protecting the on spanish, wellbeing of children at work, at school, or in the home.
This activism was motivated in Significance part by a growing acceptance of the essays, Romantic idea that children are innocent creatures who should be shielded from the adult world and allowed to enjoy their childhood. As the century wore on, writers and steps to writing a research artists began to essays on spanish literature produce increasingly sentimentalized images of children, emphasizing their angelic, adorable qualities. Yet despite such rhetoric, real reform did not come quickly. High infant mortality rates, inadequate schooling, and child labor persisted right to the end of the ucisa, century, suggesting that many Victorians remained unconvinced that childhood should be marked off as a protected period of dependence and development. A Nation of Children. Victoria’s England was a child-dominated society. Throughout her long reign, one out of every three of her subjects was under the age of literature, fifteen. The population explosion that occurred during this period was accompanied by a tremendous amount of industrialization and urbanization; by the end of the century, a vast majority of children lived in towns rather than rural communities. Families tended to be large, although the birth rate declined a bit over the course of the century as more information on contraception became available. Of Resource Development? The rapid growth of towns quickly outstripped affordable housing, leading to overcrowding and shockingly poor sanitary conditions. Coupled with infectious diseases and impure milk and food, these factors contributed to essays very high infant and child mortality rates.
Poor children who survived infancy were often put to work at an early age. In the 1830s and 40s, many children labored in textile mills and coal mines, where working conditions often proved deadly. Girls as young as five went into domestic service as nurses or maids to wealthy families. Term Reports? Rural children worked on farms or in cottage industries, while thousands of essays on spanish, urban children worked as street hawkers, selling matches or sweeping crossings (see figure 1). Child labor was not new, but as industrialization continued it became more visible, as masses of ragged, stunted children crowded the city streets. Calls for Reform. Philanthropists, religious leaders, doctors, journalists, and artists all campaigned to improve the lives of business workshops online, poor children. On Spanish Literature? In 1840, Lord Ashley (later the 7th Earl of Shaftesbury) helped set up the Children’s Employment Commission, which published parliamentary reports on conditions in mines and collieries. The shocking testimony contained in these reports inspired Elizabeth Barrett Browning’s famous protest poem “The Cry of the Children” (1844). Shaftesbury went on to become president of Ragged School Union, an evangelical organization which established hundreds of schools for the poor.
Famous child-savers like Mary Carpenter and Dr. Ucisa Itil Study? Thomas Barnardo taught in Ragged Schools before opening their own institutions for destitute youths. Dr. Barnardo described some of his missionary efforts in the Children’s Treasury (see figure 2), while investigative reporters like Henry Mayhew tirelessly documented the dire conditions endured by many working-class families. The novels of Charles Dickens, the most popular author of the essays on spanish literature, Victorian era, also reveal an intense concern about the vulnerability of children. When Dickens was twelve, his father was imprisoned for debt and he was sent to work in a blacking factory, an incident that haunted him his whole life. His novels are full of term paper, neglected, exploited, or abused children: the orphaned Oliver Twist, the crippled Tiny Tim, the literature, stunted Smike, and doomed tykes like Paul Dombey and Little Nell. Like Barrett Browning, Dickens was galvanized by to writing a research revelations of real-life horrors facing the poor. Oliver Twist (1837) was written in essays literature response to the draconian New Poor Law of 1834, which had been inspired by paper reports the theories of utilitarian philosopher Jeremy Bentham.
This law relegated the essays on spanish, needy to prison-like institutions called workhouses, splitting up families and subjecting them to repugnant living conditions and hard labor. Similarly, in creating the pathetic character of Jo the ucisa case study, street-sweeper in Bleak House (1852-3), Dickens was inspired by the testimony of literature, a real child laborer interviewed in an 1850 law report. Both boys admit, under questioning, that no one has ever bothered to teach them anything, not even the shortest prayer. Jo’s dramatic death scene enables Dickens to fulminate on writing, the fate of such forlorn waifs: Dead, your Majesty.
Dead, my lords and essays literature gentlemen. Dead, Right Reverends and ucisa itil study Wrong Reverends of every order. Dead, men and women, born with Heavenly compassion in your hearts. And dying thus around us every day. On Spanish? (Chapter XLVII) It is easy to interpret the outraged activism of writers like Dickens as indicative of a transformation in public sentiment about children. But such protests were fuelled by of Resource the fact that many people still believed that children did not need to be shielded by the state from adult responsibilities. Queen Victoria’s husband Prince Albert spoke for many when he argued that the essays, working man’s children were “part of paper, his productive power,” an indispensable source of essays on spanish literature, family income (Horn, Town Child 100). Thus, although legislation aimed at regulating and reducing child labor was passed throughout the century, there was no attempt to free business workshops outlaw it completely. Loopholes in laws like the 1833 Factory Act and the 1867 Workshops Act, coupled with a lack of local enforcement, meant that many children continued to work.
As late as 1891, over 100,000 girls between the ages of 10 and 14 were still employed as domestic servants in England and Wales. On Spanish? That same year, the British government dragged its feet at raising the minimum age for part-time factory work from 10 to 11, even though they had promised to lectures and essays extend it to 12 at an 1890 European congress on child labor. Essays? Education reform also proceeded at a slow pace. In the early 1860s, the Royal Commission on Popular Education declared that compulsory schooling for all children was “neither obtainable nor desirable.” If the child’s wages are crucial to the family economy, they wrote, “it is far better that it should go to work at the earliest age at which it can bear the physical exertion than that it should remain at lectures, school” (Horn, Town Child 74). Another powerful impediment to on spanish the creation of a public school system was religious; dissent between the Church of England and nonconformists over the content and amount of religious instruction stalled legislative efforts until 1870, when the Elementary Education Act finally created a national network of primary schools. A similarly provision for secondary education was not passed until 1902. Middle- and upper-class families could employ tutors, or send their children to private schools, but these were unregulated and varied widely in quality. Take My College? Girls were worse off than boys, since many people believed that domestic skills and basic literacy were all they needed to learn.
What explains the sluggish pace of reform? The rise of industrial capitalism created a huge demand for cheap labor, which children certainly were. Responding to this boom, Victorian economists and on spanish literature politicians embraced a laissez-faire approach which involved keeping state interference to a minimum. Forced to fend for themselves, many families endured such extreme poverty that their children’s wages were indeed crucial to business workshops online their survival. And although the Romantic belief in on spanish childhood innocence was spreading, many clung to the Calvinist notion of original sin, which held that work was good for steps to writing proposal children, since “Satan finds mischief for idle hands to do.” The Innocent Ideal. Nevertheless, as the century wore on, more and more people began to accept the idea that childhood should be a protected period of education and enjoyment. However slow education reform was in coming, it did come: in 1851, fully one third of English children received no education at all, whereas by the end of the century, nearly ninety percent went to school for seven to eight years. At the same time, there was an explosion of books, magazines, toys, and games aimed at entertaining children. Indeed, children’s literature blossomed into what critics call its “Golden Age.” With its rollicking depiction of on spanish, nursery life, Catherine Sinclair’s Holiday House (1839) is often regarded as a landmark text that shifted the focus of free business online, children’s fiction from instruction to delight. Classics like Edward Lear’s A Book of essays, Nonsense (1846) and Lewis Carroll’s Alice’s Adventures in Significance of Resource Wonderland (1865) carried on essays on spanish literature, this tradition.
Mixing fantasy and realism, authors like Juliana Ewing, Mary Louisa Molesworth, and E. Nesbit painted a vivid picture of the middle-class nursery as a hotbed of hobbies: private theatricals, elaborate games, gardening, the composition of family magazines, and so on. Like Dickens, children’s authors often voiced their belief in the perfect purity of the Significance Development, young, as when Carroll enthused, “Their innocent unconsciousness is very beautiful, and gives one a feeling of essays, reverence, as at the presence of lectures and essays, something sacred” ( Letters 381) Such sentiments became increasingly common in sermons, poetry, and periodicals from this period; the Victorians often quoted Wordsworth’s claim in the Immortality Ode that “Heaven lies about us in our infancy!” Artists like Charles West Cope and John Everett Millais produced dozens of domestic genre paintings with titles like The First Music Lesson (1863) and My First Sermon (1862-3), which portray the child as a bastion of simplicity, innocence, and playfulness. Women were also praised for embodying these qualities, and together with children they were urged to inhabit a separate sphere: to withdraw from the workforce, embrace their status as dependents, and provide the male breadwinner with a refuge from the essays on spanish literature, dog-eat-dog capitalist world outside the family. My College Class? Ironically, though, even as the essays on spanish, Victorians represented children as opposed by nature to the materialistic world of trade and profit, the figure of the child was commodified and put on display as never before. Proposal? For example, the Pears Soap Company bought reproduction rights to Millais’ paintings Cherry Ripe (1879) and Bubbles (1886), and placed the on spanish literature, images in advertisements and Significance Development calendars (see figure 3). When Cherry Ripe was featured as a color centerfold in a Christmas annual, the magazine quickly sold 500,000 copies. Kate Greenaway also took advantage of the increased public appetite for images of childhood; her watercolors of essays on spanish, children playing appeared not just in her wildly popular books but on tea towels, wallpaper, stationary, soaps, and clothes. Actual young people were paraded before the public as well. New presentation furniture like the bassinet and the perambulator allowed infants to a research be displayed to an admiring world.
Child actors appeared on stage in record numbers, performing in pantomimes, ballets, operettas, straight dramas, minstrel shows, music halls, and circus acts. By the 1880s, Drury Lane Theatre was hiring 150-200 children per essays on spanish literature, pantomime. Child prodigies like Jean Davenport and Lydia Howard astonished audiences by playing multiple roles in the same evening, while numerous companies routinely ran all-child productions. For example, the famous D’Oyly Carte Opera Company had a children’s troupe which put on Gilbert and Sullivan operettas without the help of a single adult performer. The Cult of the Child. As children became more visible on the stage, the question naturally arose: did such work constitute labor? Considerable controversy arose over this issue in the 1880s.
Educational activists like Millicent Garrett Fawcett insisted that children under ten should be banned from full-time theatre work as they had been from take, factories and workshops. Theatre people and other artists, including Carroll and the poet Ernest Dowson, strongly disagreed. Acting was not a labor but an art, they maintained, and children benefited from and enjoyed doing it. Dowson develops this argument in his 1889 article “The Cult of the literature, Child.” As his title indicates, however, the of Resource, insistence that children “delight in” performing quickly gives way to the admission that adults delight in watching children perform. “Disillusioned” grown-ups, tired of facing the essays literature, complexities of contemporary life, find relief by turning their attention to children: “[T]here are an paper, ever increasing number of people who receive from the beauty of childhood, in art as in life, an exquisite pleasure.” Dowson and on spanish literature other members of the “cult” insisted that contemplating the innocent simplicity of children served as a healthy corrective to the tawdriness and skepticism of steps, modern life. Religious doubt was on essays on spanish literature, the rise, particularly after the Significance Development, publication of Charles Darwin’s findings about literature evolution. Some commentators have suggested that the lectures, child gradually replaced God as an object of worship. But although adherents to the cult of the child described their appreciation in religious and/or aesthetic terms, the art they produced reveals a disturbing tendency to conceive of the child as the ideal romantic partner.
In novels like Carroll’s Sylvie and on spanish Bruno (1889) and J. M. To Writing Proposal? Barrie’s The Little White Bird (1902), besotted bachelors pursue children rather than women, while Dowson wrote a sonnet sequence celebrating the charms “Of a Little Girl.” Dowson also fell in love with an eleven-year-old named Adelaide Foltinowicz, proposing to her when she was fourteen. He was not alone; eminent Victorians like John Ruskin and the Archbishop of literature, Canterbury also wooed young girls, and child prostitution was an accepted if deplored fact of London life. To our eyes, the Victorians seem very inconsistent in terms of their attitudes toward children. Child-worshippers who waxed rhapsodic about the take class, perfect purity of children simultaneously eroticized them. Even as sentimentality about literature childhood reached new heights, the notion that all children are savages likewise gained widespread support; many Victorians accepted the “Law of Recapitulation,” which stipulated that as a child develops, he or she repeats the stages of free writing online, development of the human race. This belief in “the savagery of all children and the childishness of all savages” served a justification for subjecting children to harsh discipline, and natives of other countries to the rule of the expanding British Empire (Cunningham 98). These contradictory impulses of cruelty and concern informed the actions of individual Victorians. Journalist W. T. Essays Literature? Stead provides a perfect example. In 1885, he launched a campaign to raise awareness about child prostitution and prod the government to raise the age of consent. But his method of and essays, pursuing these admirable goals landed him in jail.
To prove that virgins were being sold on essays on spanish literature, the street in record numbers, he abducted a thirteen-year-old girl without telling her parents what he planned to do with her. After subjecting the unwitting girl to a medical exam to prove her purity, he drugged her, pretended to accost her, and term paper reports sent her off to essays on spanish literature Paris. The lurid account he wrote of these events featured headings like “The Violation of Virgins” and “Strapping Girls Down.” It reads like pornography, yet it helped assure the passage of the of Resource, Criminal Law Amendment Act of 1885, which raised the essays literature, age of consent from thirteen to sixteen. This bizarre event encapsulates some of the paper, conflicting discourses circulating around the Victorian child. Boone, Troy. Youth of Darkest England: Working-Class Children at the Heart of Victorian Empire . New York: Routledge, 2005. Bristow, Joseph. Empire Boys: Adventures in a Man’s World . London: HarperCollins, 1991. Essays? Coveney, Peter. The Image of itil case study, Childhood: The Individual and Society: A Study of the Theme in English Literature . Rev. Ed.
Baltimore: Penguin books, 1967. Cunningham, Hugh. The Children of the Poor: Representations of Childhood Since the Seventeenth Century . Cambridge, MA: Blackwell, 1991. Davidoff, Leonore and Catherine Hall. Family Fortunes: Men and Women of the English Middle Class, 1780-1850 . Essays On Spanish Literature? Chicago: U of Chicago P, 1897. Garlitz, Barbara. “The Immortality Ode: Its Cultural Progeny.” Studies in English Literature 6 (1966): 639-649. Higonnet, Anne.
Pictures of Innocence: The History and a research Crisis of Ideal Childhood . Essays On Spanish Literature? London: Thames and Hudson, 1998. Horn, Pamela. The Victorian Country Child . Thrupp, Stroud, UK: Sutton, 1997. ---. The Victorian Town Child . New York: NYUP, 1997. Kincaid, James.
Child-Loving: The Erotic Child and Victorian Culture . New York: Routledge, 1992. Robson, Catherine. Men in Wonderland: The Lost Girlhood of the Victorian Gentleman . Princeton: Princeton UP, 2001. Steedman, Carolyn. Strange Dislocations: Childhood and the Idea of Human Interiority, 1780-1930 . Lectures And Essays? Cambridge, MA: Harvard UP, 1995.
Walvin, James. A Child’s World: A Social History of English Childhood 1800-1914 . New York: Penguin, 1982.
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Does the author argue for the dominance of home or traditional education? What facts are provided in this book? Take into consideration the theme of mockingbirds in it and try to analyze what they symbolize and represent. Think about Significance Development, Boo Radley’s development from a weird monster to on spanish a real savior. What is your personal understanding of it? What lessons does this character teach Scout?
Don’t forget about Atticus’s approach to free business workshops his parenting duties when crafting your essay on To Kill a Mockingbird. On Spanish Literature! What is his relationship with kids? Do you criticize his parenting style? How? Why? The characters of of Resource Development Jem and literature Scout mature throughout this novel.
What changes do they have to go through? What are their basic causes? Concentrate on this town and take my college consider it as one of the main characters in this book. Does it change or develop? Does its diversity provide it with a pluralistic form? Talk more about the law as it’s discussed by on spanish the author.
Are there any limitations within the legal system of that time according to of Resource Development Atticus?